American taxpayers unwittingly support proponents of terrorism
The recent performance of “Iolanta” at the Met was outshined by the high-spirited protests, accompanying Russian Conductor Valery Gergiev’s and opera singer Anna Netrebko’s performances in the West. Mariinsky theater musicians callously asked protesting Ukrainian artists: “When will you all die already [expletive]?” and exclaimed “Alaska will also be ours!” (play on words for the Russia’s distasteful annexation slogan, “Crimea is ours!”) Undeterred, protesters put on quite a show, inside and outside of the Met. Dressed in colorful costumes, they reenacted Anna Netrebko’s ill-fated donation to the sanctioned separatist leader, Oleg Tsarov. While the protesters’ musical act and a political message was a resounding success, critics lambasted Gergiev’s barely-rehearsed productions. They were also far from impressed with Netrebko’s waning vocal chops. A review of “Iolanta” bemoaned her poor performance: “Maybe it’s sentimentality that’s kept this role in Netrebko’s repertoire, because a
